Supply and Demand

Build the city. Watch it breathe.

A city sim stripped to its essentials and pushed somewhere new. No popups. No budget spreadsheets. No fires to put out. Just zoning, roads, and a city that responds.

Every vehicle, every commuter, every truck calculates its own path. Every four bars, the whole city reroutes around your decisions, in time with the music.

The city has a pulse. Traffic flows on the eighth notes. Heavily trafficked streets glow red in unison on the half. The whole city moves in time with the music — or the music moves in time with the city. They're the same thing.

The base state is dark techno at 130 BPM. When the city tips euphoric, the soundtrack drops into 170. When it slides toward unrest, the music tells you that too.

Saturated, vector-bright, deliberately abstract. Geometry that pulses, glows, and breathes with the city. Drawn from the lineage that runs through Tempest: neon shapes made alive by motion and music. Built for headphones. Built for bass.

A city sim built for the trance state. The four-hour session. The kind of focus the genre used to deliver before it got buried under tutorials and popups.

Lock in.